!upstarter Punk Reviews

(c) 2009 The Assasinators

The Assisantors started out in Shelton, Wa in 2004. They recorded their first album later that year, having already played with UK Subs, Agent Orange and Poison Idea to name a few. After taking a year off playing shows in ’07 and a line-up change, they officially released their debut album, Rumour Of War in 2008. They then recorded ‘Weaving Spiders Come Not Here’, with help from Mike Herrera of Christian pop-punkers MxPx. The (ever changing) line-up currently consists of Paul- Vocals, Parris- Guitar, Zebrana (of now defunct Bastard Child)- Bass, and Drew- Drums.

As soon as you press play, the impression is given that this is on the borderline of punk and metal. It’s very heavy and fast, and the guitar riffs would fit in on a metal record. Paul’s vocals would even be suited to a metal band, but there’s a snarly and in-your-face attitude to their sound, and that’s what makes them punk rock.

‘Econarchy’ is, even though it’s heavy, a middle finger in the air number, and is one of those songs that has such a ‘fuck you’ attitude, it makes you feel like you’re not punk if you don’t sing along. ‘Got A Deal WIth The FBI’ has the same effect.

There’s a bit of a political and socio-political theme to many of the songs on this album. They manage to demonstrate their opinions, on topics most of us can relate to, but aren’t pushing their beliefs onto the listener. A good example of this is ‘Welfare Checks And Balances’.

There are two covers on Weaving Spiders…, the first is GG Allin’s ‘Drink, Fight And Fuck’ a great choice, and they manage to make it work for them well. The 2nd is ‘Out Of Control’, by the legendary Rancid- a daring choice for an underground band, but they do it justice, as the heavier Rancid sound fits the Assasinators’ sound. Not quite as good as the original, but covers rarely are.

‘Badge And Gun’ and ‘Doin’ Fine’ are the punkiest tunes on the album, with their attitude and sound, and will go down brilliantly live.

The title track is the slowest, showing there’s more to them than heavy punk/metal.  This one is the closest to traditional new-school punk, and is definitely the highlight of the record.

The Assasinators have lots of potential. Expect to hear a lot more from this band in the near future, especially if they can write more songs like the title track to this impressive sophomore release.

-Frankii

(c) 2010 Pee Records

Queensland, Australia’s Promises have only been playing together as a band since January 2010, but have still managed to get into the studio, and get signed to a label. This, their first EP, was written and recorded in two months. A week after they’d finished recording, they were signed by independent label, Pee Records.

Right from the beginning it’s clear this isn’t going to be true, old-school hardcore. Realistically, it’s metal- whether the band or the fans like it or not, that’s the truth. Yeah they’ve got the image right, but their sound is nothing like the original heroes of hardcore.

As soon as the vocals kick in on opener ‘No Story Left Untold’, the thing that strikes you is Zaca’s, unusual style. Though it’s not unusual in a good way. He seems to struggle in between the traditional hardcore scream/growl and normal, albeit angry, singing. It becomes unbearable at times, with the voice changing so frequently, with each word comes the ups and downs of growls and singing.

Then there’s ‘Flint Soles’. Only certain bands can pull off really short songs (Agnostic Front’s ‘Victim in Pain’ or Good Riddance and their ‘Overcoming Learned Behaviour’ for example) and even they aren’t as short as this one. It’s not even like it carries on into the next song, or is an outtro to the one before it- it’s just 19 pointless thrashy seconds.

Instrumentally, they’re adequate. Just the typical (so called) hardcore, nothing out of the ordinary.

The drastically varying track lengths add to the disappointment of this CD too. It’s so hard to tell whether this is meant to be heavy, fast hardcore, or verbose metalcore, it’s like even the band don’t know.

Unfortunately, this type of music is becoming increasingly popular the world over, with scene (destroying) kids thinking they know decent music, when they really don’t. If you’re a fan of real hardcore (Agnostic Front, Sick Of It All or even Black Flag, etc.) stay clear of this band.

-Frankii

(c) 2009 Pee Records
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Up until recently, and by that I mean when this disc hit my door, I hadn’t ever heard of Strenght Approach. This is, of course, too bad for me. It is also too bad for fans (who also haven’t heard them) of anthemic hardcore punk in the vein of H2O and Sick Of It All (albeit more of the former than the later) Despite my shallow knowledge pool of all things international hardcore, Italy’s own Strength Approach has a new disc out on Pee Records. (at least for Aussie distribution) “All The Plans We Made Are Going To Fail” packs 15 original musical numbers, 1 obnoxious noise track and 2 covers (Black Flag and the aforementioned Sick Of It All) 18 tracks in just under 35 minutes. I like the sound of that. By that I mean that I like the sound of this disk. Now that I’m thinking about it, the vox remind my ever-so-slightly of John Connely of Nuclear Assault. You? … Here’s the important bits though: Good disk, action packed. There is some interesting guitar work and the music is tight and a piece of listening advice, this disc sounds good loud. Tell your neighbors that I said it was ok to crank the stereo.

-Jerry Actually

(c) 2009 I Scream Records
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A. There isn’t enough good Hardcore anymore. B. East Coast Hardcore is the straight up goods. C. Skarhead freakin’ kills it. Skarhead returns with Drugs, Music & Sex, out now on I Sream Records. What’s in it for you? 13 tracks of crushing Hardcore and some insight on the well founded urban confluence of Hardcore Punk and Hardcore Rap. Perhaps I should explain that. In most situations you get Hardcore bands bridging the genre from Hardcore to Rap by being more “rap-like”. In the case of Skarhead the idea happens in reverse. Traditional hip-hop/rap devices (like scratching) are transmuted into hardcore. The effect works. Genre comparisons aside, Drugs, Music & Sex is a pretty damn decent disc. 13 tracks that shred your guts out, vocals that sound like Overkill on track 4, “Bomb the System”, a whole mess of tracks that are acronyms for titles and a shit ton of self-aggrandizing name drops. Like I mentioned before, it works.

–Jerry Actually

(c) 2009 Pee Records
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So I’m listening to “This is Real” from the Brisbane, Australia band Provoke and something occurs to me. Is globalization affecting music? I think that it is. This is some serious East Coast Hardcore. I’m not saying it’s a bad thing by any means, but I find it intriguing that so many miles and so much water can separate scenes only to have music that sounds like it came from the same mean streets that brought Agnostic Front or Sick of it All or Slapshot. Maybe, instead, it is something more universal. Maybe the bullshit blue collar upbringing, the angst filled days and hope-crushing nights affect us all in a similar manner? What if this is the natural expunging of a pain that we all feel? Before I go off on a crazy sociological tangent, I’ll try to rein it back in a bit. Provoke is a four piece (currently) band from Queensland Australia and have been bringing the heavy noise since 2005. “This is Real” gives up 10 tracks, nine of which clock in well under my three minute cutoff. The final track is obviously a ballad at 4:03 and based on that I won’t even discuss it ‘round these parts. As a final note, it is refreshing to hear some honest-to-goodness hardcore that doesn’t sound like you’ve heard all their shit before. Yes it rings true to what you’re looking for, but as far as this Yank’s ears go this is some sweet new angst. Go get this. If you need some help finding it, shoot me an email and I’ll see if I can’t help you get a copy for yourself.

–Jerry Actually

(c) 2008 I Scream Records
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Here’s another victim of my office clutter and the third in the hardcore bracket. La Vieja Guardia (The Old Guard) is a five track EP of Miami hardcore en Espanol from a band of the same name. From this small sampling, La Vieja Guardia is an able hardcore band with quite the pedigree. Produced by Randy Bradbury of Pennywise and featuring former members of bands such as Guajiro, Ignite, Slapshot and The Vandals, La Vieja Guardia represents a new emergence of the Miami hardcore scene and sound. I look forward to rocking more of this in the future. Good stuff. Get it!

–Jerry Actually

(c) 2008 I Scream Records
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Here’s another one from the office floor. This is the re-issue of the 1998 Earth Crisis “classic” Breed the Killers. The original 12 tracks are remastered and 2 bonus live tracks, including the previously unreleased “Standing Corpses”. Did ya like this back in ’98? If you did, then I’ll bet you’ll like it now. If you haven’t heard it, but you’re way into aggro concern-o-core then this is the shit. It roils with vitriolic anger about stuff. Get it. Crank it. Show your concern.

–Jerry Actually

(c) 2009 Trustkill Records
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So ya think hardcore can’t come from the left coast? Well you’re wrong. L.A. Based Terror flippin’ rips it up old school. Forever Crossing The Line (5 Years In The Making) comes correct in all ways. Driving rhythms, pounding drums, crushing guitar, vox with just enough menace but not too much growl. You get 17 tracks, some live, of what is ostensibly East Coast Hardcore albeit from the West Coast. Just because you have palm trees and white sand beaches doesn’t mean you ever get to see ‘em. Any way, I know that this review is hella late and Terror even has a new one out (The Damned The Shamed). I was cleaning my office and found it at the bottom of the stack. I feel that this disc is worthy of attention for its true to form hardcore.

–Jerry Actually

(c) 2008 Excuse The Blood
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Excuse The Blood is a Bay area 3-piece outfit with a pretty eclectic mix of sounds. Without trying to pigeon hole them, they sound like a mix of Slapshot-esque hardcore and a reggae/ska/punk blend ala Op Ivy or perhaps Rudiments. Despite the obvious influence the music feels fresh. The tempo keeps a good pace through the five tracks. That the disc is only a demo perhaps is the biggest shortcoming. Since I don’t have more of a sampling I’m going with a 3/5 instead of possibly higher. I’d like to hear more from Excuse The Blood. Until such time that a new release comes out, you can check the band out at their website www.excusetheblood.com

–Jerry Actually

(c)2008 Heads Held High on Crossface Records

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Hot damn, it’s good to listen to old-fashioned, ass-kicking hardcore punk!  I hope these guys have stock in bass drum heads and throat lozenges; I’m sure they go through a lot of them. 

So Say We All is an 11-track musical masterpiece. You get screamish vocals from a frontman who can also sing, classic punk guitar notched up with nu-metal riffs, staunch and strumbly bass support, and insanely exceptional drumming.  Clever nuggets of movie quotes pop up between songs with lyrics ranging from introspective, self-abasing, life-loving and regime challenging — brilliant.

Heads Held High deliver an album that makes you want to go out and drive fast, drink hard, and kiss beautiful strangers.  I can’t wait til they tour the West Coast — go get this CD, learn the lyrics so we can go sing along when they’re here.

-HK-47