© 2010 People Like You Records

Rating: 3.5 out of 5 stars

I have to admit that I’m not terribly familiar with The Adicts at all. Sure I’ve seen their logo safety pinned to the backs of countless punk rock jackets. I even know them well enough to identify them by their Clockwork Orange style. I’m sure I’ve heard plenty of their material on comps and over the PA before shows, however this is the first CD that I’ve actually sat down and listened to; Better late than never, right?

As I’m sure you all know well more than I about the band, I’ll skip the drudgery of the last 30 some years and get straight to the fresh meat. Life Goes On is a 13 track peppy catchy punk rock dish that keeps interesting and lively throughout. And while I’m admittedly a bit in the dark about the band, I can certainly tell you that it is refreshing for a band that has been playing punk rock for as many decades as The Adicts to not have watered it down.

The majority of the tracks on Life Goes On will have you singing along. Some of my personal favs for the sing along bits are tracks 3. Reaky Deaky Boys & Girls and 4. I’m Not Scared of You. Honestly, its a pretty decent disc altogether. Its chock filled with quirky and somewhat sophomoric punk rock and albeit a bit on the cartoonish side, it still has the maturity of a band that has been at it for this long. My one gripe is track 12. Mr. Hard. Every time I hear it I just can’t stop thinking that it should be about Michael Caine instead. … oh well they can’t all be songs about Michael Caine.

–Jerry Actually

KingsRoad:

• Multiple Bundles/Formats Available: Green Vinyl, Black Vinyl, Standard CD, Deluxe CD, T-shirts and more!!!!!
• http://kingsroadmerch.com/epitaph-records/artist/?id=193

iTunes:

• Standard: http://itunes.apple.com/us/preorder/hurley/id385967290
• Deluxe: http://itunes.apple.com/us/preorder/hurley-deluxe-edition/id387075310

Amazon:

• Standard: http://www.amazon.com/gp/product/B003Y01JE4/ref=s9_simvh_bw_p15_i1?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-2&pf_rd_r=1V70BRT2D5H91R6X6DQ9&pf_rd_t=101&pf_rd_p=507063831&pf_rd_i=5174
• Deluxe: http://www.amazon.com/gp/product/B003YWUTK2/ref=s9_simvh_bw_p15_i2?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-2&pf_rd_r=1V70BRT2D5H91R6X6DQ9&pf_rd_t=101&pf_rd_p=507063831&pf_rd_i=5174

August 11, 2010 – Influential multi-platinum, Grammy® winning alternative rock band Weezer have announced plans to release a new studio album entitled Hurley this September 14th on Epitaph Records.  Starting today, fans are invited to pre-order the physical album now at EpitaphStore.com or on Amazon.com.  The album’s first single, “Memories,” can be streamed now at MySpace.com/Weezer and purchased on iTunes.

Innovative rockers Weezer have inked a deal with leading independent label Epitaph Records signaling the next phase of their acclaimed career and the return to their indie roots with a highly personal and sonically exploratory album guaranteed to delight their fans.

“So far we’ve had a really good creative collaboration with Brett Gurewitz and the other people at the label, and I’m looking forward to collaboration with other like-minded alternative music fans at the label,” Rivers Cuomo recently shared with Los Angeles Times.

“I’ve been a fan of Weezer from the beginning, and I’ve loved all their records,” says Epitaph president and founder Gurewitz.  “So it’s amazing to find myself working with them on the new one!”

“Weezer is a great band,” adds labelmate and Rancid frontman Tim Armstrong.  “I’m stoked they’re going to be part of the Epitaph family.”Produced by Cuomo and Shawn Everett (Raditude, Phantom Planet, Ozomatli), Hurley is a high-energy rock album that wastes no time with the first single “Memories,” an impassioned look at nostalgia with fast tempo, buzzing guitar riffs and killer hooky chorus. Subsequent songs include soon to be fan favorites “Ruling Me,” “Trainwrecks,” “Hang On” and “Brave New World.” Rivers picks up the acoustic guitar on the reinvented power ballad “Unspoken” and the raw Sixties influenced, Mac Davis co-written “Time Flies.” The classic Weezer sound is reignited with songs like “Smart Girls,” “Run Away” and the quirky “Where’s My Sex?”  Fueled by a newfound sense of independence, Hurley finds the band making some of the most powerful and adventuresome music of their storied career.

“We all felt that the really intense, raw emotional side of Weezer is what’s going to make everyone the happiest at this moment,” Cuomo told Los Angeles Times.

“Weezer’s become a totally kick ass live band, and when we were making Hurley you could just hear the sound of people going into the studio, pressing ‘Record’ and rocking,” Cuomo says. “There’s just an insane amount of energy on songs like ‘Where’s My Sex’ or ‘Memories.’” (SPIN.com)

Known for their quirky album artwork, Weezer have done it yet again.  The cover features a simple, yet astonishing close-up of actor Jorge Garcia, which fans of the “Lost” series will no-doubt find as perplexing as fascinating.

“We struggled super hard trying to come up with an album title, trying to find some kind of phrase that summed up the whole aesthetic behind the album: ‘Heavy Mental,’ ‘Smaller Than Life,’” Cuomo recently told Spinner.com.  “I was coming up with all kinds of stuff, but ultimately, we just went with some random word that doesn’t really have anything to do with anything.  I just loved this photo of Jorge Garcia — it just had this amazing vibe.  We didn’t want to do a fourth self-titled record and we knew people would refer to it as ‘the Hurley record’ even if left it without that title, so we just called it ‘Hurley.’  No words are on the cover because all we wanted was his amazing face.”

This fall marks a new album and new beginnings for one of the most accomplished and genre defining modern rock bands.  Stay tuned to www.weezer.com and www.epitaph.com for up-to-date news and information about Hurley and the band’s soon to be announced fall tour.

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Hurley Track Listing (Standard Edition):
1. Memories – 3:16
2. Ruling Me – 3:30
3. Trainwrecks – 3:21
4. Unspoken – 3:01
5. Where’s My Sex? – 3:28
6. Run Away – 2:55
7. Hang On – 3:33
8. Smart Girls – 3:11
9. Brave New World – 3:57
10. Time Flies – 4:04

Hurley Track Listing (Deluxe Edition):
1. Memories – 3:16
2. Ruling Me – 3:30
3. Trainwrecks – 3:21
4. Unspoken – 3:01
5. Where’s My Sex? – 3:28
6. Run Away – 2:55
7. Hang On – 3:33
8. Smart Girls – 3:11
9. Brave New World – 3:57
10. Time Flies – 4:04
11. All My Friends Are Insects – 1:53
12. Viva La Vida – 4:06
13. I Want To Be Something – 2:56
14. Represent – 4:13

Weezer Tour Dates:
8/14 – Council Bluffs, IA – Westfair Amphitheater
8/15 – Commerce City, CO – Mile High Music Festival
8/21 – Del Mar, CA – Del Mar Raceway
9/1 – Allentown, PA – The Great Allentown Fair
9/2 – Essex Junction, VT – Champlain Valley Exposition
9/4 – Edmonton, AB – Sonic Boom Festival
9/5 – Seattle, WA – Bumbershoot Festival

Rating: 4 out of 5 stars

“What and or who are these Hounds & Harlots”, you may ask. “Am I with or am I not with them”, that is another damn fine question, one of several I fix on answering to some degree in the next few sentences. Well let’s start with the former.  Hounds & Harlots is a punk rock band rising up outta the San Francisco Bay.

The punk rock quartet consists of (at the time of this recording) Greg De Hoot on Bass and Vox, Bryan Zimmerman on Guitar and Vox, “Nice Guy” Brandon on Guitar and Vox and Cory Cunningham on Drums. What you have here is the basic ingredients for punk rock, four strapping young lads from the dark heart of the city by the bay.

The demo disc that I received is done up in modern era DIY fashion; A burned 3-track CD, hand markered for identification purpose and a b/w photocopy liner. I applaud the effort and am glad it wasn’t on cassette, ‘cause I don’t even have a cassette deck anymore. Something more to mention about the DIY ethic of the band, they are constantly rocking the social media. I, in fact, first heard of them through some mutual friends on Twitter. Way to capitalize on the new means to network.

The aforementioned disc contains three tracks: Divisadero, Wasted and Lots to Learn. They are all strong, but the clear leader is the opener, Divisadero. The track is a rollicking sing-a-long punk rock number that’ll like have you packing your bags for the neighborhood for which the band espouses so much pride. The two following tracks are both solid in their own right, but lack the catchy chorus of the lead-in number.

I will leave you with this, am I with them? Yes I am.

–Jerry Actually

The Assisantors started out in Shelton, Wa in 2004. They recorded their first album later that year, having already played with UK Subs, Agent Orange and Poison Idea to name a few. After taking a year off playing shows in ’07 and a line-up change, they officially released their debut album, Rumour Of War in 2008. They then recorded ‘Weaving Spiders Come Not Here’, with help from Mike Herrera of Christian pop-punkers MxPx. The (ever changing) line-up currently consists of Paul- Vocals, Parris- Guitar, Zebrana (of now defunct Bastard Child)- Bass, and Drew- Drums.

As soon as you press play, the impression is given that this is on the borderline of punk and metal. It’s very heavy and fast, and the guitar riffs would fit in on a metal record. Paul’s vocals would even be suited to a metal band, but there’s a snarly and in-your-face attitude to their sound, and that’s what makes them punk rock.

‘Econarchy’ is, even though it’s heavy, a middle finger in the air number, and is one of those songs that has such a ‘fuck you’ attitude, it makes you feel like you’re not punk if you don’t sing along. ‘Got A Deal WIth The FBI’ has the same effect.

There’s a bit of a political and socio-political theme to many of the songs on this album. They manage to demonstrate their opinions, on topics most of us can relate to, but aren’t pushing their beliefs onto the listener. A good example of this is ‘Welfare Checks And Balances’.

There are two covers on Weaving Spiders…, the first is GG Allin’s ‘Drink, Fight And Fuck’ a great choice, and they manage to make it work for them well. The 2nd is ‘Out Of Control’, by the legendary Rancid- a daring choice for an underground band, but they do it justice, as the heavier Rancid sound fits the Assasinators’ sound. Not quite as good as the original, but covers rarely are.

‘Badge And Gun’ and ‘Doin’ Fine’ are the punkiest tunes on the album, with their attitude and sound, and will go down brilliantly live.

The title track is the slowest, showing there’s more to them than heavy punk/metal.  This one is the closest to traditional new-school punk, and is definitely the highlight of the record.

The Assasinators have lots of potential. Expect to hear a lot more from this band in the near future, especially if they can write more songs like the title track to this impressive sophomore release.

-Frankii

Rating: 4.5 out of 5 stars

Legendary Psychobilly band-deluxe, Mad Sin, is back with a brand new release.  Burn and , released on 04/23/2010, marks the eleventh release from these German born psychos.  It has been twenty three some odd years since Mad Sin was born out of youthful ideals and punk rock attitude.

Twenty three years appears to be the magic number for breathing new life. While 2005’s Dead Moon’s Calling was no slouch of a release, it lacks that vitality that is apparent on Burn and Rise. It appears that unlike a lot of bands who somehow keep trucking over the years, spewing out increasing blandness and living off their past, Mad Sin keeps getting better and stronger. I think that it is fair to say that Burn and Rise is my favorite release yet.

From what I understand, 2009 was a rough year for Mad Sin, including the death of friends, infighting amongst the band and a brush with death for Koefte Deville. Life in general and a hard living rock-n-roll lifestyle were taking their toll. Yet after all the hardship, the band persevered. They rallied and came back to record a power-house of a release; a true testament to the idea that what doesn’t kill you just makes you stronger.

The nineteen tracks in total (with intros and outros and all that rot) don’t fail to impress with speed, intensity, demon fueled guitar riffs, characteristic vocal inflections and a very full solid sound. Despite the darkness and gloom that is so closely associated with the genre, Burn and Rise is spewing forth with brand new life.

The last word is this, Mad Sin is an integral part of the core of Psychobilly today and Burn and Rise is a juicy bit of blood red icing on a coffin shaped cake.

–Jerry Actually

Devils Brigade was conceived in 2000, when bassist Matt Freeman began writing songs with Tim Armstrong between Rancid tours.  This led to a few EPs and some songs on Hellcat’s Give Em The Boot compilation, but the project was put on the back burner when Rancid began touring and recording again.  Years went by and after Rancid took a break from touring on the Let The Dominoes Fall record, Matt got the itch to reactivate the project with a new studio album.

“The original concept for this record was going to be a musical,” says Freeman.  “Tim had been kicking around an idea of doing a musical about the building of the Golden Gate Bridge.  He had the title “Half Way To Hell Club.”  This was based on the name for the bridge workers who fell off the bridge while it was being built and fell into the safety net that was between them and the ocean.  We grew up in the East Bay looking at that bridge and it has always been a part of our lives.  Six of those songs ended up on the Devils Brigade record.  The other songs were all original Devils Brigade songs from the first demo.  We thought they were still good and we should record them again.”

In early 2010, Matt and Tim entered the studio with DJ Bonebrake from the influential punk group X and recorded twelve quick tempered songs featuring Matt’s signature, snarling vocals along with his snap, thumping upright bass, which shine through on roots driven punk tracks like  “I’m Moving Through,” “Who’s Gonna Save Your Now” and “My Own Man Now.”

“It was a great vibe in the studio,” Matt adds.  ”The record has a real live and loose vibe.  Loose in a good way.  Tim’s guitar style blended really well with DJ and everything clicked very quickly.  We had a lot of fun making this record.  I am going to take it out on the road whenever I can when Rancid is not doing anything.”

Queensland, Australia’s Promises have only been playing together as a band since January 2010, but have still managed to get into the studio, and get signed to a label. This, their first EP, was written and recorded in two months. A week after they’d finished recording, they were signed by independent label, Pee Records.

Right from the beginning it’s clear this isn’t going to be true, old-school hardcore. Realistically, it’s metal- whether the band or the fans like it or not, that’s the truth. Yeah they’ve got the image right, but their sound is nothing like the original heroes of hardcore.

As soon as the vocals kick in on opener ‘No Story Left Untold’, the thing that strikes you is Zaca’s, unusual style. Though it’s not unusual in a good way. He seems to struggle in between the traditional hardcore scream/growl and normal, albeit angry, singing. It becomes unbearable at times, with the voice changing so frequently, with each word comes the ups and downs of growls and singing.

Then there’s ‘Flint Soles’. Only certain bands can pull off really short songs (Agnostic Front’s ‘Victim in Pain’ or Good Riddance and their ‘Overcoming Learned Behaviour’ for example) and even they aren’t as short as this one. It’s not even like it carries on into the next song, or is an outtro to the one before it- it’s just 19 pointless thrashy seconds.

Instrumentally, they’re adequate. Just the typical (so called) hardcore, nothing out of the ordinary.

The drastically varying track lengths add to the disappointment of this CD too. It’s so hard to tell whether this is meant to be heavy, fast hardcore, or verbose metalcore, it’s like even the band don’t know.

Unfortunately, this type of music is becoming increasingly popular the world over, with scene (destroying) kids thinking they know decent music, when they really don’t. If you’re a fan of real hardcore (Agnostic Front, Sick Of It All or even Black Flag, etc.) stay clear of this band.

-Frankii

Rating: 3.5 out of 5 stars

I’ll admit that I’m not super familiar with Good Riddance. Ok, sure I know who they are. I have a couple discs but I was never that into them. From this singles collection that I’m listening to right now, I’m thinking that I have been quite remiss. Capricorn One is some seriously sweet punk rock that spans a career that I intend to spend more time looking into. The earlier more hardcore material easily evolves into the tighter more articulate punk rock that I am more familiar with.

My lack of familiarity notwithstanding, Capricorn One dishes up 21 track of to-the-point punk rock and leaves you wanting more. I’d like to note, however, that this disc, thankfully doesn’t leave me wanting more of a “Phenomenon of Craving” … not my favorite Good Riddance.

At any rate, if you’re a fan, get this. If you’re not a fan, start.

-Jerry Actually